Wood working jobs for the Jazz Nylon are almost done. This guitar needs a little bit more detailed shapings for the neck. Neck joint and finger board installation quality look pretty good. There is no discontinuity between neck and the body at the cut-a-way portion. I installed Ebony heal cap that is perfectly matched with the binding trims. I also installed black-white border between the heal cap and the neck heal. This Black-white border make crispy color contrast. Next week, I will complete final sanding, and then I will start Epoxy filling process. I will have three Epoxy filling sessions for the Honduran RW back and sides.
Kohei Fujii Guitars
Sunday, July 16, 2017
Tuesday, July 4, 2017
Scrolled cur-a-way
I was able to realize a scrolled cut-a-way design. Scrolled cur-a-way design is Taku Sakashita's signature design. Taku was my mentor of guitar design and making. I wanted to re-issue Taku's scrolled cut-a-way design. However, this design requires very complicated and time consuming guitar making processes. I needed to make a black died 1/4" mortise. Also, the binding inlay installation needs a special design to realize seamlessly connect the White border. I really carefully re-created this special design.
I also completed the neck fitting to the body. Next week, I will complete the neck and the fingerboard install.
I also completed the neck fitting to the body. Next week, I will complete the neck and the fingerboard install.
Sunday, June 18, 2017
Jazz Nylon body complete
I back to the Jazz Nylon built. This week, I completed the body built. This guitar has been making for the La Gutarra 2017. On this guitar, I added a beveled armrest first time for the Nylon model. I also will add a scrolled edge for the cut-a-way top. Scrolled edge is the Taku Sakashita's signature design. I have been thinking to revive his signature design on my guitar. Finally, I added his design for the Jazz Nylon model.
Sunday, June 11, 2017
SSJ Complete
SSJ Built completed. Finishing work went pretty good. German top and Honduran RW sides and back combination made pretty balanced tone. Tone sustain time is extremely long. This guitar showed very responsible tonal character. I may need a little bit more bridge adjustment for lower action setting. I have been waiting initial change for the guitar body stricture. I will show this guitar at the Winters Guitar festival in between June 23 and 24. If you are closer to Winters California, please come and check it out.
https://www.wintersguitarfest.com/
https://www.wintersguitarfest.com/
Sunday, May 7, 2017
bridge making
I made two bridges. One bridge is made from Brazilian RW, and the other is Ebony. Brazilian bridge is 29-grams and Ebony is 39-grams. I like lighter weight bridge for better sound response. I have been exclusively using Brazilian RW for my bridge. This time, I will use Ebony bridge for color matching. I will have a guitar show in June. Please visit the Winters guitar festival in June 23 and 24. I have an exhibitor booth to show my guitars. I will show this SSJ and Juzz Nylon model in the show.
https://wintersguitarfest.com/
Next week, I will start polishing for the SSJ. This guitar will be ready to play in two weeks.
https://wintersguitarfest.com/
Next week, I will start polishing for the SSJ. This guitar will be ready to play in two weeks.
Monday, May 1, 2017
Final coats apply
Final coats apply work is done. I sprayed 8-layers of Water based acrylic finish using the Terget EM6000. This is my trusted finish material. Water based acrylic finish is a tricky material. Some brand requires very precise spraying technique. Too much spray makes a non-clear white layer issue, and too little makes dry and rough surface. Some brand makes blueish and not clear coating color. However, EM600 has a lot of forgiveness. Also, EM6000 makes crystal clear coating. I have never failed finishing work using the EM6000. This time, I have gotten a pretty good satisfaction for my finishing quality.
It requires two weeks to cure the finish. White waiting the finishing cure, I will make the bridge. I will use the Brazilian rose wood for the bridge.
It requires two weeks to cure the finish. White waiting the finishing cure, I will make the bridge. I will use the Brazilian rose wood for the bridge.
Sunday, April 23, 2017
Epoxy filler
All wood working processes have been done. Now, the SSJ project is moving to the finishing work. I completed Epoxy filler apply to top, sides, and back. After cure those portions, I will apply Epoxy filler to the neck. Honduran Rosewood shows very nice color with Epoxy filler coating. I really like the color contrast between Rosewood brown and Ebony black with White borders. I will have two Epoxy filling sessions for this SSJ project, and then move to spraying sessions.
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